Gallery

Ao LEI

Ao LEl is an interactive artist who explores the intersection of quantummechanics, surrealismand technology art. His creative inspiration mainlycomes from physics theory，especially quantum mechanics，which isdifficult for people to understand intuitively. Ao Lei uses real-time GPUcomputing to simulate physical fields and creates surreal physical modelsaccording to the needs of expression to present abstract scenes that areinvisible at a macroscopic scale. In this way his works aim to guide the audience into an artistic experience that transcends the boundaries ofconventional senses

Traveling Soliton

2023

Moving Image

Type-ll Superconductor

2023

Moving Image

Video

Bingqing LIU

Bingqing LIU graduated from Xilan Academy of Fine Arts in China with a Bachelor's degree in Printmaking and graduated this year from the Printdepartment of the Royal College of Art. Her work is inspired by the soundsof nature and minimalist repetitive music and she is fascinated by theemotional changes elicited by subtle differences in tones. She strives tocapture these intangible emotionsand memoriesand through repetitivelines nuanced layers of color, and square structures she reveals theintertwining of order and perception rationality and sensibility within herinner world.

Bingqing is currently experimenting with combining printmaking and Suembroidery. She has observed that incorporating the traditional craft of Suembroidery can more deeply emphasize the connection between personalidentity the environment of her hometown, historical culture, andchildhood memories. The unconscious act of embroidery also allowsBingqing to more freely capture and record her immediate emotions.

Flow

2024

Print and mix media Print embroidery, silk, wood

90×90 cm

Black Void

Black Void is an art and technology artist group.Our team memberscome from various backgroundsincluding architecture, digital artalgorithm and artificial intelligence, data science, experimental music andetc. Driven by new technologiesy such as blockchain and artificial intelligence, our works concern climate change, interstellar species, andmartian migration.

Twin Cloud takes hundreds of city's meteorological data around theworld including greenhouse gases aerosol pollutants humidity temperature, and location The algorithm generates twin cloud according to eachlocation and time slice,  reflecting its ground condition

Twin Cloud

2022

Data Generative Art

1920 x 1080 px

3 mins per video

Bongsu Park

Bongsu PARK completed her MA at the Slade School of Art in 2013. In Korea and Japan, her early interest in photography blossomed toincorporate other media. Her diverse education includes studying at theEcole des Beaux Arts in Bordeaux where she developed her workthorough a diverse range of media including video and installation.

More recently she has collaborated with a number of choreographers tointegrate dance into her video works as well as live performances, including Platform 1 at Camden Arts Centre in London. Now London based, she has exhibited internationally. What unifies her work is a sustained and developing interest in the cycle of life: the fundamentalquestions of birth and death,growth and decay. 

Dreamscape2021

Installation Art

Installation, glasspanel, wood

66x55×45cm

Dangyang SONG

Danyang SONG interpret elusive emotions and symbiotic relationshipsdelving into the Traditional Chinese Humanistic Philosophy of 'Tian Ren HeYi.The interconnectedness among humans, nature, and machines iscomplex yet exquisitely intertwined. She explore how visceral emotions，language， and communication influence our physical reactions aiming tovisualize these intangible sensations and explore the healing power throughceramics.Utilizing different ceramic techniques like coil building, wheelthrowingand ceramic 3D printing she unravel the enigmatic nature of thehuman body and society.

A Drop of Positivity

2022

Glazed Stoneware，Underglaze

22x13x13 cm

Edward Hongyi JIA

Edward Hongyi JIA (b. 1996）is a London based multidisciplinary artist. Heobtained his MA in painting at the Royal College of Art and his BA from theUniversity of the Art London in Fine Art.

Hongyi JIA's reflection on the role of the human being in seeking balance between science and technology began with his scientific practice, breeding fish in a laboratory. In fact the ceramic artworks installed withinan intertwined composition of tubes allude to the water tanks Hongyi JIA had in his laboratory, and his fascination with water circulation. The glazing of the ceramic series is also very intentional by glazing only theexterior surface of the vases leaving the internal surfaces raw there is asense of contrast between internal and external spaces. Within thepaintings there further reference to the artist's scientific career,  as theseemingly abstract orbs and discs found within thecompositions areinspired by petri dishes from his laboratory.

Hongyi JIA shows a sophisticated approach towards exploring therelationship between humans nature，and technology. These subversivelandscapes physically engulf the viewer with their dominating sizepresenting an intricate and paradoxical conflict within our perception ofthe artificial and the natural.

The artist considers how humanity continues to detach itself from naturerather than understanding its dependence on it especially how we areconstantly developing as a species As the artist suggests: The relationshipbetween man and nature holds such a history of confrontation, coexistence, conquest fusion, and erosion. As we develop technologiesto evolve and constantly adapt to the environment, there will be a pointwhere the environment cannot carry civilization. Therefore, technologycan lead to disaster, this may be one of the main contradictions. Regarding the concretization of my conceptsl create artificial landscapeswhich focus on the entanglement of nature and science. They reflect aperfect hypothesis vacuum of excessive artificiality and control. Using thepast to express the future and the present.

Samsara

2019

Chinesepaint, acrylic,

ink, Chinese brush

on paper

75x75 cm

Touch

2023

Ceramics

30cmx35×28 cm

Emmanuel BARCILON

Emmanuel BARCILON uses a material consisting of varnish mixed withpure pigment which he applies layers and layers of to the woodensurface. He often intervenes during this painting process to add graphicelements such as skulls, anatomical drawings, words and newspapersclippings before continuing to apply more coats of paint. At the painting'sconclusion, various images marks or colours are visible below thesurface, some buried deeper than others，as he creates his own visualmemory of his unique process so much so that one has the sensation thateverything still carries an element of visibility buried somewhere withinthe material.

Emmanuel Barcilon was born in 1967 in Paris, France, where he lives andworks today. He has had numerous exhibitions in galleries at art fairs andmuseums. His work has been shown in Paris London Basel and NewYork.

Untitled

2019

Painting

Pure pigmentsvarnish，wood

50x50 cm

Enrique BRINKMAN

Enrique BRINKMANN composes a visual tapestry within his abstractpaintings which break into the realm of sculpture; constructing his compositions on a fine wire mesh held a few inches proud from the wall he plays with the space between the physical painterly surface and itssupport. As one meditates upon the play of shadows on the wall behindthe works levitate between both their weightlessness and the density ofhighly worked areas of the mesh at times pushing paint from the backand at others painting on the front. He has continually worked within adialogue between gesture and emptinessnoise and silence, all the whileexploring his chosen surface.

Diversas secciones

2003

Oil graphite， ropeon steel mesh

96x106 cm

Ezequiel PINI

Ezequiel PIN a.k.a Six N.Five, is an award-winning Argentinian digitalartist and designer based in Barcelona. Pini takes as his reference pointslandscape painting, expressionism, and the fantasy realms of thesurrealist masters. Using the digital tools of contemporary designy hecreates narratives that blur the boundary between natural phenomenaand creative expressions, inviting his audience to pause momentarilybetween two worlds: one physical and the other digital- for moments ofrespite, contemplation and rejuvenation

Pini's artwork has been exhibited at Art Basel, Moco Museum, Fotografiska Stockholm, the Museo della Permanente, and the RockbundArt Museum.

Species embodies a unique perspective on the natural world by exploringthe intersection of organic and geometric forms. Normally governed bycircular, organic, and sinuous shapes, from cells and organs to planetsand the cosmos, this piece deviates from the predictable. It reimagines these familiar patterns through the lens of geometry, where elegantflowing lines of nature transition into sharp precise edges. Dominated byrhombuses, squares, and straight lines, the artwork represents afascinating renaissance juxtaposing the organic with the geometric in athought-provoking display.

Pini is represented exclusively by Triple X Group an international organization that represents some of the world's leading digital artists.

Species

2023-2024

Digital Artwork

3840×2160px

1 mins and 52 seconds

Courtesy: Six N.Five &Triple X Group

Fan JI

Fan Ji's work revolves around the oft-overlooked domain of the domesticsphere，subtle imprints of nature，and the narratives of micro-histories. Employing the unique textural qualities of ceramic materials, She establish unconscious connections between the work and the audienceguiding them through a journey of exploration and revelation.

Sentimental representations of natural phenomena are a central topic inher recent research and ceramic forms.They not only extract and represent aspects of an unseen nature but also explore the visualpossibilities ofa mutated human world and its regeneration.

Her obsessiveness toward nature is driven by Object-Oriented Ontologywhich rejects the privileging of human existence over the existence ofnonhuman objects and makes distinct claims about the nature andequality of object relations.

Oscillating

2023

Glazed earthenware,

metal mesh

35×15x18 cm

Crimson Triplet

2023

Glazed earthenware,

metal mesh

19x2523cm

Junhui FANG

Junhui FANG graduated from renowned Tsinghua University, China and from Accademia di Belle Arti di Firenze, Italy where he cloths the Vice-President of AACI (Association Degli Artisti Cinese in Italia). He holds several prestigious awards from National Geographic, Florence Biennale, Florence Literature and Visual Art Award, and Siena International Photography Award.

This photo was taken at Seda Larung Gar Buddhist Academy. It's around a 14-hour drive to get to Larung Gar from the nearest city, and the journey is quite tough due to the mountainous roads. This view shows small red homes on the left side, while empty green roads curve on the other side. The monks follow the lights to return home. I was lucky to document the area and was deeply moved by the monks’ faith. I plan to return to Seda next summer to make more photos.

Follow the light

2019

Photography

100x68x4 cm

Keita MIYAZAKI

Keita MIYAZAKI(*1983；Tokyo，Japan) lives and works between Tokyoand London. Miyazaki studied at Tokyo University of the Arts， Japan(2013-2015)and at the Royal College of Art，UK (2011-2013). He alsocompleted a PhDin craft metal casting in Tokyo.During the summer 2017 Miyazaki was the selected Artist in of the Vannucci Artist Residency in Citta della Pieve (Italy).

Omens of dystopian scenarios and yearnings for micro-utopian Worldscoalesce in the practice of Keita Miyazaki, a first-hand witness of theunmitigated destruction caused by the nuclear meltdown after Tohoku earthguake and tsunami that hit Japan in 2011.

White Ore

2023

Car parts,  paper

72x60x48cm

Mi LIN

Mi Lin is a Design Research PhD student at the Royal College of Art's School of Design. She holds a Bachelor's in Fashion Design from Tsinghua University, Beijing, and a Master's in Arts and Cultural Management from Pratt Institute, New York. Her diverse professional experience spans fashion design, research, branding, marketing, curation, and entrepreneurship within the art, design, and culture industries.

Her research develops an immersive curation methodology, leveraging technological innovation to enhance public engagement with Miao (苗族) embroidery intangible cultural heritage (ICH). This work deconstructs the forms and cultural meanings of Piling (堆) Embroidery, making the intangible tangible.

Piling Embroidery constructs a three-dimensional relief-like world through continuous layering and triangular units. It forms a universe between the material and the virtual, embodying familial bonds, history, and culture, revealing a vibrant world rich in mythology and legend. The installation presents this through kaleidoscopic symmetry and geometric spatial effects, reflecting a dialogue between traditional embroidery, generative art, and algorithmic processes. By integrating AI and generative art, the work explores the fission of digital art through algorithmic repetition and variation.

The digital space transitions from entropy's complexity to simplicity, symbolising the refinement of embroidery skills and the philosophical journey towards simplicity in life. It mirrors the natural cycles of life and the transmission of ICH across generations. Miao embroidery's inheritance is deeply connected to women as cultural guardians and life-bearers, and this piece is an ode to them.

The work externalises the repetitive actions of embroidery, drawing the audience into a dynamic meditation that mirrors the creator's flow state. The shifting forms and pulsating colours symbolise artisans' thoughts and reflections within cultural transmission. The mosaic-like visual language echoes textile textures, further enhancing the immersive experience.

Thousand Threads

Thousand Universes

2024

Audio-Visual Projection Installation

1078×1078mm

3mins 13 seconds

Ni QIN

Ni QIN is an artist from China currently living and working in Paris, France. Her primary creativemediums are painting，installation， and video. Her works were initially inspired by a fascinationwith ancient maps particularly the various 'sea monsters depicted in them which were oftencreatures that didnt exist reflecting the cognitive limitations of the time. This sparked herinterest in implanting false memoriesleading to the creation of her'Tell a Story' series.

Tell a Story translates into French as raconter une histoire. In French, the word histoire has twomeanings: the lowercase h means story，and the uppercase H means history. She projects anddisplays her memories, thoughts, and emotions (h) classifies themsaves them in archivesandgenerates new collective memories for the audience through exhibitions.

In 2022, she temporarily gave up on emotional and scenographic expression in painting and beganworking on raw wood planks or blank backgrounds. She removed the scenic images and arrangedthem like text，enhancing the narrative quality of the visuals.She uses images from her daily life, allowing them to continuously collide in her mind. It is as if she is conducting a brief attempt toimpose order on an infinite space-time, finding structure within chaos and creating a labyrinth oftime and space. In the blank space behind the images, the natural wood grain flows quietly-vastand poetic-as if offering a subtle mockery or a quiet pause to the little tricks within the images.

Her creative process resembles the little game of creating a virtual world that she loved to play inher childhood. This reflects Foucault's concept of heterotopia and Borges' Tower of Babel Library. She puts the images in her mind into her pocket then ties the bag shut and lets them drift indisorder in the all-encompassing sea of meaning.

121.3 Epistemology origins

2024

Oil painting on wood panel

50x61 cm

533.5163 PneumaticGeometries Analytical

2023

Oil painting on wood panel

54x65 cm

533 Gas Mechanics.Pneumatics

2022

Oil painting on wood panel

54x65 cm

133.533 Divinatory Procedureof Gas Mechanics

2022

Oil painting on wood panel

54x65 cm

Raoul MARKS

Raoul Marks, based in Fremantle- Western Australia, is a two-time Emmy award-winning digital artist. He is well known for his work helping to craft title sequences for iconic international TV shows, such as True Detective, Three Body Problem, The Crown, West World, and Fallout. He has been nominated for a BAFTA Award, and 14 Emmy Awards. Marks' work is a layered response to the evolving intersection of modern life and online culture. His poetic use of technology seeks to pick apart the absurdity of this digital era and find beauty in new forms of artistic expression.

Originally created for the internationally renowned design conference Semi Permanent, this short film was the genesis of the"OG Astro". It charts the allegorica birth, growth and life of an artist. Being one of the early examples of CG art that relied heavily on GPU rendering capabilities, it quickly garnered accolades and inspired ageneration of digital artists to push the boundaries of what could be created on home computers. Authoring files were freely share with the broader community and such it became a heavily remixed and built upon piece of digital art history.

Marks is represented exclusively by Triple X Group, an international organization that represents some of the world's leading digital artists.

OG Astronaut-The Genesis Short

2015

Video

1280 x 576 px

3 minutes 9 seconds

Courtesy: Six N. Five Triple X Group

Rob and Nick Carter

Rob and Nick CARTER's works perfectly align with the theme of the Ubiquitous Technology: The Science of Aesthetics exhibition，showcasing how scientific methods and technological advancements enhance contemporaryartstic expression.

The Carters Transforming series exemplifies the seamless fusion oftraditional art and modern technology. By employing digital animation tobring iconic paintings，drawings，and photographs to life，the Cartersingeniously transform these historical artworks This use of cutting-edgecomputer-generated imagery not only re-engages audiences withclassical art but also encourages prolonged contemplation addressingthe modern challenge of brief art viewing times in museums.

The Spectrum Circles' series further highlights the Carters' exploration oftechnology in art. These light paintings，created in complete darknesswith light shone onto revolving light-sensitive paper， produce mesmer-izing concentric circles of color. This process is a direct application ofscientific principles utilizing light and motion to generate visual art. Themethodical and experimental nature of 'Spectrum Circles underscoresthe influence of scientific thinking patterns on contemporary art，demonstrating how technology can be harnessed to create new forms ofbeauty

Transforming Still Life Painting 2009-2012

3 hour looped filmcomputer, frame

71x58x13cm

Spectrum Circle 2023

Unique Cibachromemounted on aluminum and framed

128x128cm

Run Xin

Run Xin engaged in educational work and had a passion for artisticcreation before retirement. For the past sixteen years she has beenusing DSLR cameras to photograph naturallandscapes，humangeography and primarily to showcase the motherland during the periodof reform and opening up.

To Run Xin the microscopic world is like a starry universe， boundless finedust particles burst forth with power and glory in the moment ofcombustion Microscopic photography captures changes at the slightestand freezes the brilliance in an instant. Beauty lies in both vastness andsubtlety.

The God of Mountains

2014

Microphotography

70x70x4cm

Shan HUA

Shan Hua (b.1995）is a London-based digital artist whose work exploresthe symbiotic relationship between pop culture, social change, and reflections on identity. She graduated from the Royal College of Art in 2022. Her practice often draws on personal experiences to reflect societalshifts revealing cultural roots embedded.Shan specializes in creatingnon-linear combinations of video, sound and text to craft a fairytale-likeworld that transcends traditional linear storytelling.

Novelist

2023

Video

1080×1920px

3 mins 10 seconds

Shang GAO

Shang GAO attempts to seek a balance between contemporary art andmaterial science by turning liquid lacquer into a lacquer compositematerial that can be directly shaped. Most of his lacquerware works usethe most basic color- The Black of Lacquer-in the field of lacquer as thetheme of expression, looking for the change of shape and the unity oftexture in the extreme black. He tried to complete his innovation bychanging the way of creating lacquer crafts. He gave up using the innercarcass, and did not follow the traditional process requirements of flatsmooth, and bright required by the field of lacquer for thousands of years. By adding materials that no one used before and improving theratio of the materials used the liquid lacquer became paste-like and canbe stacked freely as oil paste paint.

Lunar Eclipse of the Valley

2022

Lacquer, SepioliteFibers, Diatomite

64×26x24cm

Si CHEN

Sowing

2024

Video

1920×1080 px

1 mins 35 seconds

Image: Midjourney

Video: Runway

Background Music: Stabe Audio

Narration: Cozyvoice

Si CHEN, from Shanghai China, is currently pursuing a PhD in Design atthe Academy of Arts & Design Tsinghua University. Her work focuses onthe planning and design of online exhibitions and interactive systems thedesign of immersive interactive experience spaces using new mediatechnologies, and the integration of art design with science andengineering

Her primary research area is Structured Knowledge Design whichinvolves design research on the visualization of tacit knowledge in digitalexhibitions， knowledge integration design based on natural science andengineering and the development of intelligent systems centered onknowledge and experience.

Silin Liu

Silin LIU, from undergraduate to graduate school, 7 years of photography and digital art learning experience have allowed me to accumulate thoughts and practices on image creation, and create a series of works around the relationship between contemporary images and the development of the Internet era, including I'm everywhere, Appme, Siren, Playtime, etc. These works have been published since 2012 and have fermented on the Internet through the test of time.

Countless viewers have witnessed that I use myself as a practice medium and truly realize the possibility of making myself "ubiquitous" in the Internet world like images. All along, I have not limited the stage of my works to the walls of art galleries, but I hope that they can truly appear in everyone's life through the development of the Internet era, and these "historical" images created by me are also equally disseminated on the Internet together with the original real historical images.

Player Dali

2021

Giclee Painting

120×80x8cm

Marilyn Monroe &Celine Liu

2014

Digital Print on Fine Art Paper

30x30cm

Pablo Picasso &Celine Liu

2015

Digital Print on Fine Art Paper

30x30 cm

SHEN Wei

SHEN Wei choreographer painter, dancer and director. Born in China sHunan province was trained in Chinese opera painting, and moderndance. AS a founding member of the first modern dance company in China 1992 (The Guangdong Modern Dance Company). He receipt of afellowship from Nikolais/Louis Dance Lab moved to New York City in 1995. In 2000, he founded Shen Wei Dance Arts at American Dance Festival, his company based in NYC and toured in over 30 countries in 140 cities. As a painter Shen Wei has had solo exhibitions in leading galleriesand museums: Chambers Fine Art Gallery (New York), Crow Collection ofAsian Art (Dallas), Tucson Museum of Art MDC Museum of Art + Design(Miami), Asian Society Hong Kong Center, Contemporary Museum of ArtShanghaiand the Isabella Stuart Gardner Museum in Boston

Reflecting Element

No.6

2019

Oil on Line

162×113.5 cm

Weifang LIU

Weifang LIU is a jewellery artist based in Wuhan. The Evolving Boneseries is a jewelry design that examines the contemporary life contextwith traditional Chinese aesthetics. At present electronic products havebecome the derivative of senses. Carrying Bluetooth headphones, Sportsbracelets, and smart glasses have replaced the most primitive andinstinctive senses. Inorganic materials gradually replace organic senses.

Evolving Bone

2021

925 silver, topaz

15×15×3 cm

Evolving Bone

2021

925 silver, topaz

7×3×3 cm

Xindi TONG & Ting SHEN

In the Manifestations seriesXindi TONG and Ting SHEN explorefundamental physical phenomena such as frequency, turbulence, and natural forces. Rather than picturing the phenomena, they delve into the underlying rules and principles that govern their existence. Utilizing computer algorithms, they apply transformations and overlay todifferent wavelengths, creating varying brightness within the images to simulate natural phenomena. This process is central to the design.

The design produced with algorithmic precision is then transferred to acustom ceramic glaze dripping machine that they have been developing since 2020. This machine allows thousands of glaze dots to be deposited onto a porcelain slab, where they melt and fuse during firing. Their proprietary glaze printing technology enables precise control over the thickness of each dot mirroring the precision of electronic screens.

Manifestation-Moire

Vision No.2

2021

Stoneware, glaze

55x42x3cm

Manifestation-Mist

2021

Stoneware glaze

50x40x3cm

Xin LIU

Xin LIU is a multidisciplinary artist and engineer who creates sculpturesdigital experiences, and films that feature machinery genetic materialpetroleum, and rocket debris, to explore the verticality of space, extraterrestrial explorations, and cosmic metabolism.

Xin is an artist-in-residence at SETI Institutea Visiting Fellow at CornellTech (2024-25) and the founding Arts Curator in the Space ExplorationInitiative at MIT Media Lab.Her recent institutional solo exhibitionsinclude Seedings and Offspring (2023) at Pioneer Works, New York andAt the End of Everything (2023) at ARTPACE, San Antonio. She has recent-ly exhibited in the Shanghai Biennale, Thailand Biennale, Hammer Museum,  M+ Museum, Sundance Film Festival among others.

OrbitWeaver

2017

Video

1080×1920px

2mins 10 seconds

Yaoyao XIN

Yaoyao XIN, graduated from Jiangnan University she won the RedDot and IF Design Awards and national invention patents during hertime at school. After graduation she studied ceramic production inJingdezhen and independently developed a variety of techniquessuch as Klein blue porcelain, ultra-thin ceramics, lacquer textureporcelain, gradient silver glaze, etc.

She aims at using new ceramic language to express classical temperament. New technology is the most effective way to create new vision.

Variation No.1

2022

Ceramic

24x24x5cm

Yiyuan Shi

Yiyuan SHI is an architect currently living in London. She pursued her architectural studies at Tsinghua University and later at London Metropolitan University.

Her practice focuses on minimalist forms and the sensory experience. Tangible Light is a 2020 architectural project led by architects Yiyuan Shi and in collaboration with American architect Xu Yi, working alongside five minority students from mountainous area in Hunan, China supported by the Peer Experience Exchange Restorum.

Due to the pandemic, the architects facilitated online courses, guiding the students in exploring the shapes and effects of light, ensuring that the students’ creativity and ideas were fully expressed. The lights, strung across beams, create a dynamic ceiling plan. The project transcend physical distances, connecting people across geographical boundaries.

Tangible Light

2020

Architectural Photography on Archivial Pigment Print on Fine ArtBaryta

40x80 cm 3 pieces

Tangible Light Video a visual record of PEER Space Lighting Renovation designed produced and filmed by five Teenagers

1920×1080px

1mins 35 seconds

Yilong LI

Yinglong LI is a practitioner and researcher in craft and design. Since 2007, he has been focusing on innovation and sustainable development of traditional metal crafts. To understand the current state of traditional metal techniques, he has visited masters in different countries and minority areas to document and learn various techniques, particularly enamelling and filigree.

In 2019, he started his PhD journey at the School of Jewellery, Birming- ham City University, with a focus on innovative research in an old and rare enamelling craft plique-à-jour. During this time, he applied this traditional enamelling technique, combining the representative element “Manchuria window” from his hometown's traditional architectures in Lingnan region with the painting techniques from the west Impress- ionism, creating the I-PAJ series. This series has won multiple internation- al awards, such as the gold award in the enamel category at the GC&DC competition. In 2023, his works have been permanently collected by the V&A Museum and Durham University.

IPAL 0

2022

Enamel silver

1.3x3.5x4.5 cm

IPAJ 8-Golden Dawn

2022

Enamel silver

8x3.8cm

Zhigang WANG

In the interdisciplinary background of engineering and art Zhigang WANG is dedicated tofrontier exploration in the field of new media art. Over the past 20 yearshe has accumulatedrich experience in various creation and design projects,  especially in the field of art-technologyintegration, where he has achieved fruitful results.

He has led Project 5 of the Technology Winter Olympics project under the Key R&D Program ofthe Ministry of Science and Technology,  the National Social Science Fund of China (NSSFC) Art Studies Projectand the National Arts Fund communication and promotion project.

Mind Wave explores the communication between oracle bone inscriptions and gods, ghosts and nature in the process of divination， and theform reflected in the spiritual world.

City Memory, an immersive new media work of artis an artistic explora-tion and expression of the connection between human beings and thedevelopment of science and technology. The work takes immersivepanoramic sound as the key to open the door of memory and classicalliterary works condense as the bridge of emotional expression.

Mind Wave

2023

Digital Art

4080×1200 px

3 mins 37 seconds

City Memory2019

Digital Art

3236 × 1200 px

6 mins 34 seconds

Ziling WANG

Ziling WANG graduated with an MA in Fine Art at Central Saint Martins College of Art & Design University of the Arts Londonand BA in painting at Academy of Art & Design from Tsinghua University in Beijing.

She invented a hardened paint that detaches from backing and floatswithout a frame. It enables her to turn flat images into a three-dimensional sculptural painting， and creating a situation where she canlet the paint stand for itself in both space and time which explores ourperception of the structure of our external surroundings. This hiddeninterplay between forms demonstrates the constant balance betweenobjects， where different forces are interconnected and interdependent inthe natural world.

Symbiosis

2024

Hardened paint

120x120×14 cm